http://www.youtube.com/watch?v=iDSTnUkXxzI
Alphaville combines the genres of dystopian science fiction and film noir. There are no special effects or elaborate sets; instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings (in 1965 they were new and strange architectural designs) represent the city's interiors. The film is set in a futuristic alternative present. The characters refer to twentieth century events; for example, the hero describes himself as a Guadalcanal veteran.
Expatriate American actor Eddie Constantine plays Lemmy Caution, a trenchcoat-wearing secret agent. Constantine had already played this or similar roles in dozens of previous films; the character was originally created by British pulp novelistPeter Cheyney. However, in Alphaville, director Jean-Luc Godard moves Caution away from his usual twentieth century setting, and places him in a futuristic sci-fi dystopia, the technocratic dictatorship of Alphaville.
Lemmy Caution is a secret agent with the code number of 003 from "the Outlands". Entering Alphaville in his Ford Mustang,[3] called a Ford Galaxie,[4] he poses as a journalist named Ivan Johnson, and claims to work for theFigaro-Pravda. He wears a tan overcoat that stores various items such as a M1911A1 Colt Commander automatic pistol. He carries the then new cheap Instamatic camera with him and photographs everything he sees, particularly the things that would ordinarily be unimportant to a journalist. Despite the futuristic setting, references made in the film still set the action in the twentieth century.
[edit]Plot
Caution is, in fact, on a series of missions. First, he must search for missing agent Henry Dickson (Akim Tamiroff); second, he must capture or kill the creator of Alphaville, Professor von Braun (Howard Vernon); lastly, he must destroy Alphaville and its dictatorial computer, Alpha 60. Alpha 60 is a sentient computer system created by von Braun which is in complete control of all of Alphaville.
Alpha 60 outlaws free thought and individualist concepts like love, poetry, and emotion in the city, replacing them with contradictory concepts or eliminating them altogether. One of Alpha 60's dictates is that "people should not ask 'why', but only say 'because'." People who show signs of emotion (weeping at the death of a wife, or a smile on the face) are presumed to be acting illogically, and are gathered up, interrogated, and executed. In an image reminiscent of George Orwell's concept ofNewspeak, there is a "Bible" in each room: actually a dictionary that is continuously updated when words that are deemed to evoke emotion become banned. As a result, Alphaville is an inhuman, alienated society of mindless drones.
Alpha 60's dictates have had some surprising results. Caution is told that men are killed at a ratio of fifty to every one woman executed. He also learns that Swedes, Germans and Americans assimilate well. Images of the E = mc² and E = hf equations are displayed several times throughout the film as a symbol of the regime of logical science that rules Alphaville. At one point, Caution passes through a place called the Grand Omega Minus, whence brainwashed people are sent out to the other "galaxies" to start strikes, revolutions, family rows and student revolts.
As an archetypal American private eye anti-hero in trench-coat and weathered visage, Lemmy Caution's old-fashioned machismo conflicts with the puritanical computer (Godard originally wanted to title the film Tarzan versus IBM).[5] The opposition of his role to logic (and that of other dissidents to the regime) is represented by faux-quotations from Capitale de la douleur (Capital of Pain), a book of poems by Paul Éluard.
Caution meets Dickson, who soon dies in the process of making love to a "Seductress Third Class". Caution then enlists the assistance of Natacha von Braun (Anna Karina), a programmer of Alpha 60 who is also the daughter of Prof. von Braun (although she says "I have never met him"). Natacha is a citizen of Alphaville, and when questioned says she does not know the meaning of "love" or "conscience". Caution falls in love with her, and his love introduces emotion and unpredictability into the city that the computer has crafted in its own image. Natacha discovers, with the help of Lemmy Caution, that she was actually born outside of Alphaville. (The city name is given as Nueva York -Spanish for New York instead of either the original English name or the French literal rendering "Nouvelle York").
Professor von Braun (the name taken from German rocket scientist Wernher von Braun[6]) was originally known as Leonard Nosferatu (a tribute to F. W. Murnau's filmNosferatu), but Caution is repeatedly told that Nosferatu no longer exists. The Professor himself talks infrequently, referring only vaguely to his hatred for journalists, and offering Caution the chance to join Alphaville, even going so far as to offer him the opportunity to rule a galaxy. When he refuses Caution's enticement to go back to "the outlands", Caution kills him with a pistol shot.
Alpha 60 converses with Lemmy Caution several times throughout the film, and its voice is seemingly ever-present in the city, serving as a sort of narrator. Caution eventually destroys or incapacitates it by telling it a riddle that involves something Alpha 60 can not comprehend: poetry (although many of its lines are actually quotations from the Argentine poet Jorge Luis Borges; the opening line of the film, along with others, is an extract of Borges's essay "Forms of a Legend" and other references throughout the movie are made by Alpha 60 to Borges's "A New Refutation of Time"). The concept of the individual self has been lost to the collectivized citizens of Alphaville, and this is the key to Caution's riddle.
At the end, as Paul Misraki's musical score reaches its crescendo, Natacha realizes that it is her understanding of herself as an individual with desires that saves her, and destroys Alpha 60. The film ends with her line, "Je vous aime" ("I love you").
alphaville - french new wave cinema
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