Studio8 - Uniting the Arts

She hated her Jewish background and was convinced it had poisoned her life. For much of her adult life she was what would later be called self-hating. Her overriding desire was to free herself from the shackles of her birth; since, as she thought, she had been "pushed out of the world" by her origins, she was determined to escape them. She never really succeeded. In 1810, she changed her family name to Robert... And in 1814, after her mother died, she converted. But her origins continued to haunt her even on her deathbed. ...

She considered her origins "a curse, a slow bleeding to death." ... The idea that as a Jew she was always required to be exceptional - and go on proving it all the time - was repugnant to her. "How wretched it is always to have legitimize myself! That is why it is so disgusting to be a Jew."[6]

Rahel's husband published an account of her deathbed scene, which Amos Elon described as "stylized and possibly overdramatised", including her alleged last words:

What a history! A fugitive from Egypt and Palestine, here I am and find help, love, fostering in you people. With real rapture I think of those origins of mine and this whole nexus of destiny, through which the oldest memories of the human race stand side by side with the latest developments ... The thing which all my life seemed to me the greatest shame, which was the misery and misfortune of my life—having been born a Jewess—this I should on no account now wish to have missed.[7]